Saat Nomboror Sandhanot

Leelavati belongs to the tea-tribe community and works in a tea garden, as does her husband Haru. One day Haru dies of a snakebite while at work. She asks the management for compensation, but is refused on the pretext that no post-mortem was done. With great hardship she raises her three children, marries off her two daughters, and begins arranging the wedding of her only son Shibu. Then an accident at the garden factory kills Shibu as well.

Having lost her husband and son, Leelavati loses her mental balance. She leaves the garden, takes to haria (rice beer) to ease her pain, and starts roaming from village to village in search of number seven.

In her disturbed state she holds seven people responsible for the endless misfortune of her life, among them garden officials and a union leader. She goes to a healer and asks him to punish them through magic and charms. Before him she names six enemies, but cannot recall the seventh. Travelling the villages to find that seventh enemy becomes the aim of her life.

The screenplay was written by the director, Abdul Majid, from Zehirul Hussain's story of the same name. The lead roles are played by Mitali Roy and Raag Oinitom.

Among the crew, Nasimul Majid was chief assistant director, Nuruddin Ahmed handled art direction, Deepak Dutta was the sound recordist, Shahnaz Sultana the costume designer and Asim Bothra did the make-up.

In Abdul Majid's filmography, Saat Nomboror Sandhanot came after Banahansa (1977) and Bonjui (1978).